Be a Director of Photography: Make Every Shot Count (18)

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Would a movie look good if the camera never moved? Camera operators often switch between long shots, medium shots, and close-ups. Using different shots can have a big effect on how the viewer experiences the story. The director of photography, or D.P., is responsible for making the decisions that lead to every perfectly captured scene. Future cinematographers will never watch a movie the same way after they learn the different ways that D.P.s light shots and use camera angles to achieve certain effects. They'll also learn how new technologies such as drones are changing the world of cinema.
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    • SKU
      RR11277
  • Series
    Moviemakers' Film Club
  • Manufacturer
    Rosen and PowerKids
  • Publisher
    Rosen: PowerKids Press
  • Publisher or imprint
    Rosen: PowerKids Press
  • Author
    Wood, Alix
  • ISBN-13
    978-1-5383-2274-1
  • Format
    Reinforced Library Binding
  • Size
    7 1/4" x 8 1/2"
  • Reading Interest
    4,5,6,7,8
  • # of Pages
    32
  • Dewey Decimal
    791.43023--dc23
  • Guided Reading Level
    R
  • Date Published
    2018
Would a movie look good if the camera never moved? Camera operators often switch between long shots, medium shots, and close-ups. Using different shots can have a big effect on how the viewer experiences the story. The director of photography, or D.P., is responsible for making the decisions that lead to every perfectly captured scene. Future cinematographers will never watch a movie the same way after they learn the different ways that D.P.s light shots and use camera angles to achieve certain effects. They'll also learn how new technologies such as drones are changing the world of cinema.

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